MATERIALS & PRINT
An Unchanged Artwork Tint Can Print Differently
Use two invented tone-response points to distinguish percentage-point gain from a universal offset or press correction curve.
Journal · 349 articles
Packaging notes from the floor
Supplier briefs, material notes and pricing explainers for small brands sourcing custom packaging.
MATERIALS & PRINT
Paperboard Divider Buckling and Support Conditions
Locate the divider's load path and restraints before applying a board figure or prescribing thicker material.
MATERIALS & PRINT
Pallet Stretch Wrap and Load Restraint
Compare the film's contact and applied state with the complete pallet load rather than relying on layer layout alone.
MATERIALS & PRINT
Packaging Clearance and Repeated Vibration Contact
Treat static clearance and repeated movement as separate questions when a product can reach neighbouring parts.
MATERIALS & PRINT
Cushion Travel Before Bottoming Out
Assess remaining cushion travel from the installed state instead of relying on free-pad thickness or softness.
MATERIALS & PRINT
Drop Height Does Not Define a Product’s Shock Fragility
Compare invented rectangular and triangular force pulses with equal peak and duration without treating either as a measured product-fragility result.
MATERIALS & PRINT
Drop Orientation Changes Where an Impact Enters a Parcel
Distinguish a lower-corner path from an upper-corner path in one hypothetical pack without treating a generic corner result as all-orientation evidence.
MATERIALS & PRINT
Corrugated Board Direction and Divider Bending
Preserve flute and material direction relative to span and bending axis when changing a divider's cutting layout.
MATERIALS & PRINT
Paperboard GSM, Thickness and Bending Stiffness
Compare thickness, material direction and support as well as grammage when selecting a bending-resistant panel.
MATERIALS & PRINT
Starting a Film Tear and Extending It Are Different Mechanical Questions
Compare hypothetical initiation and propagation evidence in MD with a proposed TD propagation question, keeping all actual film performance unknown.
MATERIALS & PRINT
A Gloss Reading Describes a Reflection Geometry Rather Than a Universal Finish Score
Keep hypothetical front/back 60 degree gloss readings separate from an 85 degree edge reading, without converting a pooled mean into surface approval.
MATERIALS & PRINT
Packaging Windows: Light Transmission and Detail
Define silhouette, colour or fine-detail visibility before treating window transmittance as a complete viewing score.